1440-1482 Flemish Hugo van der Goes Galleries Hugo became a member of the painters' guild of Ghent as a master in 1467. In 1468 he was involved in the decoration of the town of Bruges in celebration of the marriage between Charles the Bold and Margaret of York and he provided heraldic decorations for Charles's joyeuse entr??e to Ghent in 1469 and again in 1472. He was elected dean of the Ghent guild in 1473 or 1474. In 1475, or some years later, Hugo entered Rooklooster, a monastery near Brussels belonging to the Windesheim Congregation, and professed there as a frater conversus. He continued to paint, and remained at Rooklooster until his death in 1482 or 1483. In 1480 he was called to the town of Leuven to evaluate the Justice Scenes left unfinished by the painter Dieric Bouts on his death in 1475. Shortly after this, Hugo, returning with other members of his monastery from a trip to Cologne, fell into a state of suicidal gloom, declaring himself to be damned. After returning to Rooklooster, Hugo recovered from his illness, and died there. His time at Rooklooster is recorded in the chronicle of his fellow monk, Gaspar Ofhuys. A report by a German physician, Hieronymus M??nzer, from 1495, according to which a painter from Ghent was driven to melancholy by the attempt to equal the Ghent Altarpiece, may refer to Hugo. His most famous surviving work is the Portinari Triptych (Uffizi, Florence), an altarpiece commissioned for the church of San Egidio in the hospital of Santa Maria Nuova in Florence by Tommaso Portinari, the manager of the Bruges branch of the Medici Bank. The triptych arrived in Florence in 1483, apparently some years after its completion by van der Goes. The largest Netherlandish work that could be seen in Florence, it was greatly praised. Giorgio Vasari in his Vite of 1550 referred to it as by "Ugo d'Anversa" ("Hugo of Antwerp"). This the sole documentation for its authorship by Hugo; other works are attributed to him based on stylistic comparison with the altarpiece. Hugo appears to have left a large number of drawings, and either from these or the paintings themselves followers made large numbers of copies of compositions that have not survived from his own hand. A drawing of Jacob and Rachel preserved at Christ Church, Oxford is thought to be a rare surviving autograph drawing.  Related Paintings of Hugo van der Goes :. | The Portinari Altarpiece | Adoration of the Shepherds | A Benedictine Monk | Flagellation of Christ | The Adoration of the Shepherds |
Related Artists:
Raffaello Botticini
1477-1520
billy higgins
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MOREELSE, Paulus
Dutch Baroque Era Painter, 1571-1638 Dutch painter, draughtsman, architect and urban planner. He was from a well-to-do family, which settled in Utrecht c. 1568. According to van Mander, Paulus studied with the Delft portrait painter Michiel van Mierevelt and was in Italy before 1596, the year he became an independent master in the saddlemakers' guild, to which Utrecht painters then belonged. On 8 June 1602 he married Antonia Wyntershoven, by whom he had at least ten children. The most famous of his many pupils was Dirck van Baburen, who studied with him in 1611, when the Utrecht artists set up their own Guild of St Luke. Moreelse was instrumental in this and became its first dean. In 1618, after a series of political disagreements, a number of citizens, including Moreelse and the painter Joachim Wtewael, petitioned the town council to resign. When that occurred, Moreelse became a member of the new council and continued to hold various public offices until his death. He was a strong supporter of plans to found a university in Utrecht and was closely involved in the preparations and in its opening in 1636